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Monday, October 23, 2006 8:55 AM

Launch of Cirque du Soleil Musique, Inc.
Capitale

Oct 11, 2004

Bowery & Grand Street, NY, NY

1What a treat:. The launch of Cirque Du Soleil Musique, the first private record label for the music of all the famous Cirque du Soleil performances, was launched to commemorate Cirque du Soleil’s twenty years of magnificent performances. And what an atmosphere it was launched in. Capitale was set up with “mystical” lighting. Many of the characters from the 9 different Cirque du Soleil performances marched around a number of them with their eerie facial expressions, adding more mysticism to the event.

The evening was opened with the CEO of Cirque du Soleil, Mr. Lamare Daniels, greeting the packed out crowd, and stating how happy he was to be there. Mr. Daniels announced that, this year, Cirque de Soleil will be introducing two brand new show performances. Everyone cheered. Also, Mr. Ian Tremblay, the new General Manager of Cirque du Soleil Musique, spoke, indicating that Cirque du Soleil Musique was created to “challenge emerging artists” in the field of theatrical music.

The live performance that was given on that night was exceptional, with three to four lead singers, and a choir of approximately twenty people on the balcony, singing with voices that perfectly compliment that unique style for which Cirque du Soleil performances are so widely known.

Given the wide popularity of Cirque du Soleil, and the world fame its performances have gained, one would find it hard to believe, at best, that Cirque du Soleil actually started in a small town near Quebec City, Canada. A band of colorful characters were roaming the streets doing a variety of circus acts from stilt-walking to juggling and dancing, to even breathing fire, as well as, of course, playing music. The group was the street threatre which Gilles Ste-Croix had founded, entitled Baie-Saint-Paul. Impressing the town folk, one of the young performers, Guy Laliberte, founded Cirque du Soleil. In 1982, the troupe founded Le Club des talons hauts (or “High Heels Club”,) and then organized an event that would bring performers into the streets from everywhere to perform for several days, an event referred to as La Fete. It was so successful that in 1983 and 1984, they repeated La Fete, and the somewhat crazy dream of creating a circus in Quebec and taking it worldwide was born.

To give one an idea of the growth, the number of employees that worked for Cirque du Soleil increased more than forty-fold over the last twenty years (from 73 in 1984 until over 3,000 at present), with a diversity of over twenty five languages and a representation of over forty nations, which have performed thus far for an estimated 42 million spectators. Of its nine shows, Cirque du Soleil has three resident shows based in Las Vegas, “O”, “Mystere”, and “Zumanity”, and one based in Orlando.

Cirque du Soleil continues to pursue its challenge, namely, to continue to grow at a rate that can be sustained, while facilitating creators’ ability to dream dreams and make them a reality. Cirque du Soleil has also won numerous awards, including a Primetime Emmy Award and two Gemini awards in 2003. It even haw twso songs, “O”, Drlallion, have hit the top of the charts as Billboard Magazine’s Top World Music Albums. The Cirque du Soleil Musicque catalogue contains an estimated 15 albums (incl. live and studio performances, film soundtracks, and remixes.) Each of Cirque du Soleil’s performances feature a minimum of eight musicians, in addition to two singers. This far, Alegria is the best-selling album in the Cirque du Soleil Musique catalog.

Cirque du Soleil’s music composer, Benoit Jutras, had been quoted as saying “Composing is like dancing with the universe, a perpetual movement creating an ever-changing dance. Music in all its senses is precisely what it implies-that music is an experience that touches every sense. IT can move you to tears, bring joy to your heart, stir sexual passion, evoke memories, and prompt physical responses of all kinds.”

This event was fantastic (truly “fantastic”—as there was indeed an element of fantasy which resounded with a certain omni-presence that one would have to experience for themselves to understand.) There was also a nice selection of hor d’ oeuvres served for the pleasure of the palette.

We at Liberty News Online would like to thank Mr. Bradley Ziefman, the Vice President of the Susan Blond, Inc Public Relations firm, for inviting us to attend and report on this marvelous event. Anyone wishing further information about Cirque du Soleil, may visit their website, at www.cirquedusoleil.com.

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